[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"person-1304834":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":8,"movie_credits":16,"tv_credits":279},false,[],"Ursula Pürrer is an Austrian filmmaker.","1962-01-01",null,1,1304834,"nm0699938","Directing","Ursula Pürrer","Vienna, Austria",0.2348,{"cast":17,"crew":48},[18,32],{"adult":4,"backdrop_path":8,"genre_ids":19,"id":20,"title":21,"original_language":22,"original_title":23,"overview":24,"popularity":25,"poster_path":26,"release_date":27,"softcore":4,"video":4,"vote_average":28,"vote_count":9,"character":29,"credit_id":30,"order":31},[],718303,"The Assault - They didn't know what to do","de","Das Attentat - Denn sie wissen nicht, was sie tun sollen","Sabotage acts are committed on the film theaters of a city for no apparent reason. Two secretaries of \"Mega Film\", which has been damaged by a sabotage act, decide to try to find the saboteurs in order to determine what their motives are.",0.1136,"\u002FqHqLKG8r7d0fDKu07jAAFeUiSjC.jpg","1989-01-01",10,"woman at the box-office","5ef21595af58cb0032f6868e",8,{"adult":4,"backdrop_path":33,"genre_ids":34,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":9},"\u002FvEoQHfrxSK8cK8BqoayynlYa6IJ.jpg",[35,36],878,14,261362,"Flaming Ears","Rote Ohren fetzen durch Asche","In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.",0.8719,"\u002F5YWm7I7RR069T7NyTbNeb1JhsMi.jpg","1992-06-19",4.469,16,"Volley","5f7f701ad8e15a003be03cbb",[49,53,68,77,86,95,100,105,114,122,135,144,152,161,173,183,191,199,207,215,222,230,238,246,254,262,270],{"adult":4,"backdrop_path":33,"genre_ids":50,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":51,"department":12,"job":52},[35,36],"5333151bc3a3686a950048eb","Director",{"adult":4,"backdrop_path":54,"genre_ids":55,"id":58,"title":59,"original_language":22,"original_title":60,"overview":61,"popularity":62,"poster_path":8,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":65,"department":66,"job":67},"\u002F7nZaWJZGHJV7PbKYJtQnjKxvD8d.jpg",[56,57],99,36,813553,"What did the Pope know about the Holocaust?","Die Geheimnisse der Akten - Der Vatikan öffnet seine Archive","The Vatican opened once-secret records on Pope Pius XII on March 2020. This gave researchers a brand new insight into the Catholic Church during the Nazi era. What did the Pope know about the Holocaust?",0.0908,"2020-05-18",0,"636defd81684f70083dbcd80","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":69,"id":70,"title":71,"original_language":22,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":76,"department":12,"job":52},[56],393898,"Bodybuilding","Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.",1.0641,"\u002FsaBEziPQheEGwgxucVgv6wKivwP.jpg","1984-01-01","5718deffc3a3686e200001eb",{"adult":4,"backdrop_path":8,"genre_ids":78,"id":79,"title":80,"original_language":81,"original_title":80,"overview":82,"popularity":83,"poster_path":8,"release_date":84,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":85,"department":12,"job":52},[],329368,"1.5 Frogs Fuck Fest","en","These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as \"home movies\", they record actionistic performances in the directors' own living quarters, with added soundtracks of intermittent percussive sounds.",0.1579,"1995-03-07","5718df2c9251412b37003dc1",{"adult":4,"backdrop_path":8,"genre_ids":87,"id":88,"title":89,"original_language":22,"original_title":90,"overview":91,"popularity":92,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":94,"department":12,"job":52},[56],1241550,"Tender Buttons","Zarte Knöpfe","A filmic homage to Gertrude Stein's \"Tender Buttons\": Everyday objects and especially house plants are imbued with cubist dimensions – everything moves, everything is alive. Lesbian fellowship swims like fish in the water to a shore of ruins – this city can only be \"ash\". (Andrea B. Braidt)",0.8264,"1985-01-01","65c2aae98e2e000149a4e6e9",{"adult":4,"backdrop_path":33,"genre_ids":96,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":97,"department":98,"job":99},[35,36],"63d2e23d031a1d00c0953665","Writing","Writer",{"adult":4,"backdrop_path":33,"genre_ids":101,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":102,"department":103,"job":104},[35,36],"63d2e24ce72fe800b2052f37","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":106,"id":107,"title":108,"original_language":109,"original_title":108,"overview":110,"popularity":111,"poster_path":8,"release_date":112,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":113,"department":12,"job":52},[],1260476,"Easter 84","xx","Pürrer and Scheirl as naughty Easter bunnies create their own visual rhyme on Easter: Catholic excess and Christ kitsch become drowned out by undulating sounds and shimmering foil. Jesus pin-up and corpse of Christ reenactment included.",0.6104,"1984-03-01","65f66e8dd8f44e017c4fd095",{"adult":4,"backdrop_path":8,"genre_ids":115,"id":116,"title":117,"original_language":81,"original_title":117,"overview":118,"popularity":119,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":120,"vote_count":9,"credit_id":121,"department":12,"job":52},[],463764,"Super-8 Girl Games","These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as »home movies«, they record actionistic performances in the directors’ own living quarters, with added soundtracks of intermittent percussive sounds.",0.2012,6,"5953ca1192514168bf00ba03",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":22,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"credit_id":134,"department":66,"job":67},"\u002FAmmKi9ldp2WCCxTXCzWkR4hqj77.jpg",[56,57],439988,"Hitler's Hollywood","Hitlers Hollywood","Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)",0.6136,"\u002FYlFqWoN7VmWSRjXQJUHvSD2ikc.jpg","2017-02-23",6.5,32,"5abcf4f7c3a368437902871a",{"adult":4,"backdrop_path":8,"genre_ids":136,"id":137,"title":138,"original_language":22,"original_title":139,"overview":140,"popularity":141,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":142,"vote_count":9,"credit_id":143,"department":12,"job":52},[56],521456,"Zigzagged Rivulet Sneaks Up Shamelessly Wetting Thighs","Gezacktes Rinnsal Schleicht Sich Schamlos Schenkel-Nässend An","Bodies and fluids, bodily fluids and fluid bodies.",0.3746,7,"5ae712dc9251410d0900b19c",{"adult":4,"backdrop_path":8,"genre_ids":145,"id":146,"title":147,"original_language":109,"original_title":148,"overview":149,"popularity":150,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":151,"department":12,"job":52},[56],522007,"A Rubber Dinghy and Oysters","Ein Schlauchboot und Austern","Lunatics in the subway  Take a break at the diner  Goggles seen from near  Astrid is very seductive  and reprimands the child  Favorite family-shots sneaking in  Make a move upside down  Toilette and confusion in orange light  Marching on the meadow and  the simultaneous fall in the counter-post  Astrid cannot hold back the laughter  Yeah Yeah Yeah Yeah Yeah\r (Scheirl)",0.2807,"5aea31e7c3a3682c0300245d",{"adult":4,"backdrop_path":8,"genre_ids":153,"id":154,"title":155,"original_language":22,"original_title":156,"overview":157,"popularity":158,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":159,"vote_count":9,"credit_id":160,"department":12,"job":52},[56],522607,"Black Heart Leaking – Instruction for Amateur Constructor Female","Das Schwarze Herz Tropft - Bastelanleitung zu -Rinnen","The plant is padded and bounces, the heart is padded and drops. Objects fill the lead roles: swaying plants with succulent leaves; and vases, tall and lean like the torsos of young women. Metal and plastic foil, leather straps and piles of flour, enigmatic symbols and garishimages, all accompanied by shrill music and a tumult of voices, mechanical clattering, angry snorting and the cracking of a whip.",0.2333,4,"5aeef025c3a368141500314a",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":165,"title":166,"original_language":22,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":9,"credit_id":172,"department":66,"job":67},"\u002FxwhJ6PWgbDCdpYpIdASotiloyXF.jpg",[56,164],10770,602650,"Demokratie unter Druck – Europa vor der Wahl","Thoughts of a diversity of public and private citizens on the virtues of democracy, its faults, its decadence, its fall and the rise of populism.",0.3718,"\u002FMwy9wuSBrqPPrBnxu4ElqPUhU.jpg","2019-05-13",5,"5d018dbe0e0a263f96cea364",{"adult":4,"backdrop_path":8,"genre_ids":174,"id":175,"title":176,"original_language":22,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":181,"department":66,"job":182},[56],625987,"Der Architekt Antoni Gaudí - Mythos und Wirklichkeit","",2.2396,"\u002Fm6y1CsNckaRxtoW12m53GBtMKv5.jpg","2006-09-01","5d62e51e39a45d0012c0b9be","Supervising Editor",{"adult":4,"backdrop_path":8,"genre_ids":184,"id":185,"title":186,"original_language":81,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":27,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":190,"department":12,"job":52},[35],760832,"The Drift of Juicy","A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, perverted or transformed.",0.3479,"\u002Fo0zvoIRXWVwRRgt3m4F1n51wR7s.jpg","5fa39b07519bbb003f4d5c82",{"adult":4,"backdrop_path":8,"genre_ids":192,"id":193,"title":194,"original_language":109,"original_title":194,"overview":195,"popularity":196,"poster_path":8,"release_date":197,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":198,"department":12,"job":52},[],1461930,"Gleichzeitig nackt","Two nude, female-presenting figures perform a minimal waltz to Strauss’s “The Blue Danube” on a stage resembling a variety show set. Their repetitive movements are simple: arm to hip, slight hip swing, step forward and back. Behind them, a painted black canvas shows two blue clouds and a central vase with an abstract bouquet, tied with red-white-red barrier tape—evoking the Austrian flag. A painter’s table with a sponge juts into the frame. The setting and music, full of ironic national and artistic references, create an ambiguous, imperfect tableau. Directed by Ashley Hans Scheirl and Ursula Pürrer, the film is a remake.",0.4957,"2024-01-01","67f69163de5e4dec62acf458",{"adult":4,"backdrop_path":8,"genre_ids":200,"id":201,"title":202,"original_language":109,"original_title":203,"overview":204,"popularity":205,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":206,"department":12,"job":52},[],1475946,"Skyscraper & Zipper","Hochhaus und Reißverschluss","Two bed frames pushed together are traced from bottom to top by the camera and pass over to Scheirl in a suit, panning over her. This is followed by repeated vertical pans up high-rise buildings. In between is Pürrer with a fixed gaze and extravagant jewelry. The music is by the anarcho-punk band Crass.",0.3328,"6818b88b1cfb3302b0461b06",{"adult":4,"backdrop_path":8,"genre_ids":208,"id":209,"title":210,"original_language":22,"original_title":211,"overview":212,"popularity":213,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":214,"department":12,"job":52},[],1475949,"Night-Poster-Subway","Nacht-Plakat-U-Bahn","Night-Poster-Subway shows shots of modern urban life at high speed, accompanied by music from Circle X. As they pass by, the film captures houses, their facades and individual parts of them, trams, blue lights, advertising posters, all above and below ground. And in the middle of it all, Anna loves Maria – as it says on a white billboard.",0.3589,"6818b938aaf3ee299b08a536",{"adult":4,"backdrop_path":8,"genre_ids":216,"id":217,"title":218,"original_language":22,"original_title":218,"overview":219,"popularity":220,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":221,"department":12,"job":52},[],1475950,"Sex and Crime","The film is made up of sequences filmed from the television screen, such as advertisements and excerpts from the show “Aktenzeichen XY” (“File No. XY”) and shots of Pürrer and Scheirl. Pürrer poses with metal objects that she balances on her head or uses as a weapon; Scheirl wears a transparent tulle dress. They mark and count her birthmarks.",0.2213,"6818b9ba49b1c42db6461a8b",{"adult":4,"backdrop_path":8,"genre_ids":223,"id":224,"title":225,"original_language":109,"original_title":226,"overview":227,"popularity":228,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":229,"department":12,"job":52},[],1475956,"Piss in Pink","Piss in Rosa","Scheirl’s body, with brightly painted genitals and harshly lit face, is portrayed in fragments by the camera; Pürrer is also naked. Scheirl is then shown wearing a pink dress with a floral pattern. She lifts it up and pees while standing, before climbing into a tub next to a laughing Pürrer.",0.2826,"6818ba303d0df7738963fff6",{"adult":4,"backdrop_path":8,"genre_ids":231,"id":232,"title":233,"original_language":109,"original_title":234,"overview":235,"popularity":236,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":237,"department":12,"job":52},[],1475958,"In the Garden of the yellow G.","Im Garten der gelben G.","The film is a garden full of flowers and plant leaves. They’re placed in the mouth and down inside the dress neckline; they’re danced with and set in motion. They become overlong toenails or breasts that are gently caressed or maliciously squeezed. All of this goes on accompanied by both classical music and punk. In the end, they wilt.",0.311,"6818bae7bdbd1ec81108a77c",{"adult":4,"backdrop_path":8,"genre_ids":239,"id":240,"title":241,"original_language":109,"original_title":242,"overview":243,"popularity":244,"poster_path":8,"release_date":75,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":245,"department":12,"job":52},[],1475962,"Battle and Kiss","Kampf und Kuss","In front of the mirrored glass facades of the empty, newly built University of Economics and Business, Scheirl, Pürrer, Bauer, and Jurtschitsch perform and repeat film takes. Dressed in theatrical costumes, they run off, only to suddenly stop as if petrified. A duel, using iron clamps as weapons, ensues between Scheirl and Pürrer, which culminates in a kiss. Drawings by Pürrer recapitulate the events.",0.2883,"6818bb503ebcc1ac0084d295",{"adult":4,"backdrop_path":8,"genre_ids":247,"id":248,"title":249,"original_language":109,"original_title":250,"overview":251,"popularity":252,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":253,"department":12,"job":52},[],1475964,"Red cuts and the air in between","Rote Schnitte und die Luft dazwischen","Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red. You can see Pürrer lustful, rolling her eyes back, and throwing combative glances. On the hectic soundtrack you hear screams, sounds of fighting, things breaking.",0.3454,"6818bbbfc5a20273be63ffea",{"adult":4,"backdrop_path":8,"genre_ids":255,"id":256,"title":257,"original_language":109,"original_title":258,"overview":259,"popularity":260,"poster_path":8,"release_date":93,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":261,"department":12,"job":52},[],1475967,"Rhubarb and Sugar","Rhabarber und Zucker","In Rhubarb and Sugar, Pürrer plays with rhubarb stalks, which in her hands and mouth are transformed into antennae, ears, and a tail. Monstera leaves are made to shake and tremble, as is Pürrer’s head, and pure sugar is eaten. The film is dedicated to Chantal Akerman.",0.3287,"6818bc63160e95569a1d10ec",{"adult":4,"backdrop_path":8,"genre_ids":263,"id":264,"title":265,"original_language":81,"original_title":265,"overview":82,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":269,"department":12,"job":52},[],1483734,"Slocking Walkman",0.4424,"\u002FdUoGj7WzY0sNJJ1YhJL1vF0kSzD.jpg","1986-05-09","682afebe005c09508a8c077b",{"adult":4,"backdrop_path":8,"genre_ids":271,"id":272,"title":273,"original_language":22,"original_title":274,"overview":275,"popularity":276,"poster_path":8,"release_date":277,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"credit_id":278,"department":12,"job":52},[],1524623,"The Revolt and the Desire","Das Aufbegehren oder das andere Begehren","Unpunctuated sentences appear word by word on the screen, pointing to the temporality of the reading process and the instantaneity of their appearance. Various phrases comment on this fragmentation: \"Irritatingly searching for a medium to express the simultaneity of spatial and temporal jumps\" or \"The concentrated gaze of the female fetishist experiences objects and movements in exactly defined excerpts.\" The body, too, as another phrase suggests, is split open (aufgesplittert). In this film about seriality, people are referred to as A or G\" in their sexual relations with one another.",0.243,"1991-01-01","688f7614e85e91436ef3e28d",{"cast":280,"crew":281},[],[282,296],{"adult":4,"backdrop_path":283,"genre_ids":284,"id":285,"origin_country":286,"original_language":22,"original_name":288,"overview":289,"popularity":290,"poster_path":291,"first_air_date":292,"softcore":4,"name":293,"vote_average":294,"vote_count":45,"credit_id":295,"department":66,"episode_count":31,"first_credit_air_date":292,"job":67},"\u002FmeuKrY2WmlvzLGIdGlWDtcrsIs0.jpg",[56],65867,[287],"DE","Geheimes Kuba","Recounts the tumultuous history of Cuba, a nation of foreign conquest, freedom fighters and Cold War political machinations.",2.2125,"\u002F8ZNQiTu0YQaYotPmGztgm8p7cqC.jpg","2015-12-11","The Cuba Libre Story",6.6,"5b8eac51c3a3681af7001517",{"adult":4,"backdrop_path":297,"genre_ids":298,"id":300,"origin_country":301,"original_language":22,"original_name":302,"overview":303,"popularity":304,"poster_path":305,"first_air_date":306,"softcore":4,"name":307,"vote_average":308,"vote_count":159,"credit_id":309,"department":66,"episode_count":28,"first_credit_air_date":306,"job":67},"\u002Ft3KBWlTJ1WW5i54cUI5n0qMtku3.jpg",[56,299],10768,125011,[287],"Krieg und Holocaust – Der deutsche Abgrund","Explores the Third Reich from a contemporary perspective to investigate how the Nazis managed to conquer Germany and then half of Europe in the wake of World War I.",1.502,"\u002Fy0lHtdr68Thf9WkFeBwWAZ27UBx.jpg","2021-05-08","The Abyss – Rise and Fall of the Nazis",6.2,"6094b06f025764003f477050"]